tag:blogger.com,1999:blog-2531345904528580427.post2352165904210552709..comments2024-03-24T20:01:47.103-07:00Comments on Hell On Frisco Bay: Mekong Hotel (2012)Brian Darrhttp://www.blogger.com/profile/17693169310367670898noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-2531345904528580427.post-49232898420450104492013-03-17T14:34:44.853-07:002013-03-17T14:34:44.853-07:00Thanks for noticing! I don't know if I'll ...Thanks for noticing! I don't know if I'll be able to make this a foolproof policy (especially considering that there are many films that involve both film and digital inputs in their production- including <b><i>Marilou Diaz-Abaya: Filmmaker on a Voyage</i></b> come to think of it) but I'll try to include the information when it's easily gleaned and relevant.Brian Darrhttps://www.blogger.com/profile/17693169310367670898noreply@blogger.comtag:blogger.com,1999:blog-2531345904528580427.post-40311696790622382742013-03-16T15:56:33.713-07:002013-03-16T15:56:33.713-07:00Brian: To follow up on the thread about navigating...Brian: To follow up on the thread about navigating the transitional time, I really appreciate you are now listing under HOW not just the format in which the program is expected to be projected, but also the format on which the program originated.This will allow readers to make a more well advised decision. In an ideal world, all exhibitors would post this information!Anonymoushttps://www.blogger.com/profile/14847533854297507334noreply@blogger.com