Thursday, February 14, 2019

I Only Have Two Eyes 2018*

Screen capture from HBO DVD of The Holy Girl
The past two or so years have been full of life changes for the proprietor of this blog. After well over a decade scraping together a living by working in part-time positions, I secured a full-time position working in an academic library in late 2016. In mid-2017 I moved in with my incredible girlfriend (filmmaker, photographer and installation artist Kerry Laitala) and our two tuxedo cats, Sherlock and Watson. Kerry I got married in her Maine hometown in July, 2018. The elation from these wonderful highlights have been somewhat tempered, of course, by far darker events, including the deaths of friends and family members, and the day-to-day dispiriting melancholy of living in a rapidly-transforming city that nonetheless still feels like some kind of oasis in the hellscape that our nation has become under our federal political regime.

Which is all to say, though I still try to take advantage of the unique screening opportunities offered in the Bay Area (here's a rundown of my favorite newer moving image works of last year), making time to blog at Hell On Frisco Bay has become a comparatively low priority; I didn't even run my annual survey of the best repertory presentations this time last year, interrupting a ten year streak of collecting and posting cinephile reactions to a year of viewing films from the past in the cinematic spaces of the present.

But I'm back with another great set of lists from perceptive viewers of time-tested classics and unearthed gems during the year 2018. And I've even invited folks to name favorites from 2017 as well, to make up for my uncompiled year. That's why I'm calling this year's iteration "I Only Have Two Eyes 2018*"- the asterisk indicating that a few of the following links (marked with an *) will lead to lists (or in one case, a single title) of films seen in 2017 as well as 2018. This will be the "hub page" for this year's project, and the list of participants below will grow every day until I publish my own list.

02/06/19:   Monica Nolan, author and contributor to festival program guides
02/07/19*: John Slattery, a filmmaker based in Berkeley
02/07/19:   Lucy Laird, a writer, editor, and co-producer of Nerd Nite San Francisco
02/08/19:   David Robson, proprietor of the House of Sparrows blog
02/08/19:   Jesse Hawthorne Ficks, educator, writer and host of MiDNiTES FOR MANiACS
02/09/19:   Joel Shepard, independent film programmer; his blog archive is well-worth perusal
02/09/19:   Claire Bain, San Francisco-based artist
02/10/19:   Terri Saul, Berkeley-based artist and writer
02/10/19:   Carl Martin, who maintains the invaluable Bay Area Film Calendar
02/11/19:   Michael Fox, who writes for KQED Arts & hosts screenings at the Mechanics' Institute
02/11/19*: Ian Rice, part of the ATA@SFPL curatorial committee behind screenings like this
02/12/19:   Frako Loden, educator and writer for www.documentary.org and elsewhere
02/12/19:   Ben Armington, ticket-selling maestro for Box Cubed
02/13/19:   Lincoln Spector, who founded and continues to maintain the venerable Bayflicks site
02/14/19*: Jonathan Marlow [PARACME | CALIFORNIA FILM INSTITUTE | ARBELOS]
02/14/19:   Michael Hawley, cinephile and blogger at film-415

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